chezweitz museal and urban scenography

Artificial intelligence

Artificial intelligence

Machines - Learning - Humanity's Dreams

Deutsches Hygiene-Museum, Dresden
From 6 November 2021 to 28 August 2022

Muse­um-like encoun­ters with the phe­nom­e­non of AI – this is the nar­ra­tive of the new spe­cial exhi­bi­tion Arti­fi­cial Intel­li­gence – Machines Learn Human­i­ty’s Dreams” at the Ger­man Hygiene Muse­um in Dres­den, which explores the pos­si­bil­i­ties, but also the dan­gers, of arti­fi­cial intel­li­gence. In five exhi­bi­tion chap­ters, vis­i­tors learn about the cul­tur­al his­to­ry and cur­rent state of devel­op­ment of AI. Sci­en­tif­ic and cul­tur­al-his­tor­i­cal exhibits, audio and video, as well as con­tem­po­rary works of art, attempt to explore the dif­fer­ent lay­ers of AI, from dreams of the past to cur­rent dis­cours­es and a pos­si­ble future.

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Pat­terns of AI His­to­ry – Dreams
The exhi­bi­tion begins with a direct­ed pro­logue con­sist­ing of two media-enhanced the­ater cur­tains. These are inter­spersed with a video ani­ma­tion of his­tor­i­cal images. High­lights from the his­to­ry of AI ideas are placed in illu­mi­nat­ed pedestals in front of the screen and inter­twine with the video ani­ma­tion. Warm light­ing enhances the space of pos­si­bil­i­ties in which the ideas of the ear­ly the­o­rists come alive.

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Train­ing Room – Inside the Arti­fi­cial Neur­al Net­work
Arti­fi­cial sys­tems learn quick­ly and effi­cient­ly by deriv­ing prac­ti­cal reg­u­lar­i­ties from con­cise exam­ples and dis­cov­er­able pat­terns. Vis­i­tors to the so-called train­ing room learn how AIs train them­selves. They become learn­ing sys­tems them­selves by enter­ing an imma­te­r­i­al, artis­tic neur­al net­work that trans­forms the space into a unique sceno­graph­ic expe­ri­ence. Its net-like light­ing archi­tec­ture lends the exhi­bi­tion space a seem­ing­ly end­less and imma­te­r­i­al feel.

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Our Present with AI — Smartlive
Our every­day lives have long been per­me­at­ed by it: we work with AI, we live with AI, we cre­ate art with AI. Has the dream of arti­fi­cial intel­li­gence already come true? chezweitz designs a room-sized, snow-white city mod­el made up of con­struc­tive build­ings with bright­ly col­ored facades. This cre­ates a trail of the­mat­ic groups that allow vis­i­tors to expe­ri­ence and ques­tion the ways in which AI per­me­ates our every­day lives. Along the dark paths along the themed build­ings, the facades of the build­ings rep­re­sent the oppor­tu­ni­ties and dan­gers of progress and manip­u­la­tion through and with AI.

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Glob­al Infra­struc­ture of AI – Dream Fac­to­ries
Despite its imma­te­ri­al­i­ty, AI is by no means unlo­cat­able or invis­i­ble. In the 21st cen­tu­ry, mas­sive data cen­ters are being built around the world, gen­er­at­ing unimag­in­able amounts of data and shap­ing a glob­al indus­try. To bring the banal­i­ty of these vol­umes to life, vis­i­tors enter a hor­i­zon­tal­ly ori­ent­ed, hard, metal­lic space bathed in cold, indus­tri­al light. End­less­ly arranged shelv­ing struc­tures offer an abstract glimpse into the real, bru­tal, and ener­gy-guz­zling worlds of work and pro­duc­tion. Inter­ac­tive media sta­tions inte­grat­ed into the archi­tec­tur­al sys­tem tell of the hard” side of AI, which, con­trary to its green” image, reveals its une­co­log­i­cal side here.

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Re-Visions AI – Pub­lic­i­ty and Respon­si­bil­i­ty
How will we deal with arti­fi­cial intel­li­gence in the future?” is the ques­tion posed by the final room, Re-Visions. Will we soon have to con­tain AIs so they don’t pose a threat to us? In the ambiva­lent light of the blue hour, three large, enclosed, white build­ings alter­nate between pub­lic space for dis­course and clas­sic white cubes for the instal­la­tions of the Tac­ti­cal Tech col­lec­tive. The scenog­ra­phy encour­ages dis­cus­sion, not only among vis­i­tors but also with the exhibits on display..

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Scenography
chezweitz GmbH, museale und urbane Szenografie, Berlin
Dr. Sonja Beeck, Detlef Weitz,
Jan Stauf, Morten Ohlsen, Katerina Vraga
Exhibition graphics
chezweitz GmbH, Jaroslav Toussaint, Johannes Bögle, Elias Eichhorn
Director DHMD
Prof. Klaus Vogel
Exhibition management
Dr. Doreen Hartmann, Gisela Staupe
Project management and curator DHMD
Yasemin Keskintepe
Curatorial and scientific collaboration
Dr. Anke Woschech, Bettina Beer, Anna Kühn, Clarissa Lütz
Conceptual participation
Detlef Weitz, chezweitz GmbH
Ars Electronica, Linz/Österreich
Media planning
schnellebuntebilder, Berlin
Studio Bosco, Leipzig
Exhibition construction
Workshops of DHMD under the direction of Michal Tomaszewski, Büchner Möbel GmbH, Innenausbau Aulhorn GmbH & Co. KG, Raumausstatter Meister Arndt, Malerbetrieb Canaletto Ronny Kühn
Media and exhibition technology
Kay Jansen
Lighting technology
Paul Göschel, Dresden
Implementation of exhibition graphics
Graphic Workshop of the DHMD
Graphic production
Pigmentpool Sachsen GmbH, Dresden
PPS Imaging GmbH
Object furnishing
A-Team Dresden
Photos
Oliver Killig, Juliane Eirich