Artificial intelligence
Artificial intelligence
Machines - Learning - Humanity's Dreams
Museum-like encounters with the phenomenon of AI – this is the narrative of the new special exhibition “Artificial Intelligence – Machines Learn Humanity’s Dreams” at the German Hygiene Museum in Dresden, which explores the possibilities, but also the dangers, of artificial intelligence. In five exhibition chapters, visitors learn about the cultural history and current state of development of AI. Scientific and cultural-historical exhibits, audio and video, as well as contemporary works of art, attempt to explore the different layers of AI, from dreams of the past to current discourses and a possible future.
Patterns of AI History – Dreams
The exhibition begins with a directed prologue consisting of two media-enhanced theater curtains. These are interspersed with a video animation of historical images. Highlights from the history of AI ideas are placed in illuminated pedestals in front of the screen and intertwine with the video animation. Warm lighting enhances the space of possibilities in which the ideas of the early theorists come alive.
Training Room – Inside the Artificial Neural Network
Artificial systems learn quickly and efficiently by deriving practical regularities from concise examples and discoverable patterns. Visitors to the so-called training room learn how AIs train themselves. They become learning systems themselves by entering an immaterial, artistic neural network that transforms the space into a unique scenographic experience. Its net-like lighting architecture lends the exhibition space a seemingly endless and immaterial feel.
Our Present with AI — Smartlive
Our everyday lives have long been permeated by it: we work with AI, we live with AI, we create art with AI. Has the dream of artificial intelligence already come true? chezweitz designs a room-sized, snow-white city model made up of constructive buildings with brightly colored facades. This creates a trail of thematic groups that allow visitors to experience and question the ways in which AI permeates our everyday lives. Along the dark paths along the themed buildings, the facades of the buildings represent the opportunities and dangers of progress and manipulation through and with AI.
Global Infrastructure of AI – Dream Factories
Despite its immateriality, AI is by no means unlocatable or invisible. In the 21st century, massive data centers are being built around the world, generating unimaginable amounts of data and shaping a global industry. To bring the banality of these volumes to life, visitors enter a horizontally oriented, hard, metallic space bathed in cold, industrial light. Endlessly arranged shelving structures offer an abstract glimpse into the real, brutal, and energy-guzzling worlds of work and production. Interactive media stations integrated into the architectural system tell of the “hard” side of AI, which, contrary to its “green” image, reveals its unecological side here.
Re-Visions AI – Publicity and Responsibility
“How will we deal with artificial intelligence in the future?” is the question posed by the final room, Re-Visions. Will we soon have to contain AIs so they don’t pose a threat to us? In the ambivalent light of the blue hour, three large, enclosed, white buildings alternate between public space for discourse and classic white cubes for the installations of the Tactical Tech collective. The scenography encourages discussion, not only among visitors but also with the exhibits on display..
chezweitz GmbH, museale und urbane Szenografie, Berlin
Dr. Sonja Beeck, Detlef Weitz,
Jan Stauf, Morten Ohlsen, Katerina Vraga
chezweitz GmbH, Jaroslav Toussaint, Johannes Bögle, Elias Eichhorn
Prof. Klaus Vogel
Dr. Doreen Hartmann, Gisela Staupe
Yasemin Keskintepe
Dr. Anke Woschech, Bettina Beer, Anna Kühn, Clarissa Lütz
Detlef Weitz, chezweitz GmbH
Ars Electronica, Linz/Österreich
schnellebuntebilder, Berlin
Studio Bosco, Leipzig
Workshops of DHMD under the direction of Michal Tomaszewski, Büchner Möbel GmbH, Innenausbau Aulhorn GmbH & Co. KG, Raumausstatter Meister Arndt, Malerbetrieb Canaletto Ronny Kühn
Kay Jansen
Paul Göschel, Dresden
Graphic Workshop of the DHMD
Pigmentpool Sachsen GmbH, Dresden
PPS Imaging GmbH
A-Team Dresden
Oliver Killig, Juliane Eirich