P26
P26 Poststraße 26
A project of the University of Excellence Bonn
Due to the closure of the main building, the University of Excellence Bonn is seizing the opportunity to reformat its collections and the associated teaching in some areas. The Paul Clemen Museum (art history/Prof. Wolter von dem Knesebeck) with Europe’s largest collection of plaster casts, the Egyptian Museum (Prof. Morenz) and the Global Heritage Lab (Prof. Binter) with a focus on non-European culture will find their new interim quarters in Bonn city center, planned for around 10 years. Teaching, research, exhibition practice and public life will be linked together on the floors. On the ground floor, a lively space will be created for events, exhibitions, a café and an information point where visitors and passers-by can find out about the university and buy products.
chezweitz advised the university conceptually on the development and transformation of the former women’s fashion department store and designed the scenographic installations.
With Poststrasse 26, the University of Bonn is extending an invitation to the public to come closer and delve deeper into the themes of the exhibitions on the floors.
A highly atmospheric but very differentiated color scheme and graphic processing guides visitors through the floors. Each floor is a world of its own, its own research and learning cosmos. On the 1st floor, warm, earthy colors create a feeling of high energy while at the same time being grounded. It is about ethnographic discourses, a flexible setting for the debate in the global discourse on how to proceed in the future with a view to the post-colonial legacy and traditional exhibition practices.
On the 2nd floor, the Paul Clemen Museum brings together works of art from the Middle Ages to the present day and from Central Germany to Sicily on a flat “stage”. In a room setting in sand and Yves Klein blue, contrasting with shiny aluminum, the heavy plaster casts appear lively and fresh. They are available for viewing — for teaching and for private art enthusiasts.
On the third floor, the Egyptian Museum, in a now significantly smaller space, opens up a space with a special atmosphere, yet intensely magical. Decorated entirely in the green tones of the Nile, and featuring a large number of valuable artifacts, you’ll encounter the work of archaeologists from the University of Bonn.
For the inner city of Bonn, which, like many others in Germany, is struggling with structural change, Poststrasse is an asset in terms of revitalization. The cutback caused by e‑commerce is too severe, so that other programs are needed in the inner city in addition to retail. The university and the city of Bonn are combining the need to move into interim quarters in the most elegant way with the space resources that have become available in the inner city. For chezweitz, as a well-known scenography office, it was a particular challenge to link the strategic dimension (university) with the urban planning and architectural dimension (city center/department store) and the scenographic work with the collections and teaching content. We would like to thank the University of Bonn for its trust and hope that the courage to embrace hybridity on Poststrasse will pay off in that students appreciate a stimulating learning environment and visitors notice the interesting topics.
Object Histories — Searching for Traces in the Museums and Collections of the University of Bonn
October 23, 2024, to March 31, 2025
The opening exhibition on the ground floor provides insights into the provenance research that the University of Bonn is dedicatedly conducting for its own collections. In this special exhibition, researchers explore the provenance of objects from the University of Bonn's museums and collections, exploring their provenance. These stories are often both bizarre and serious, some of which lead to contexts of injustice. The exhibition also addresses the sensitive handling of objects from colonial or otherwise problematic contexts. Questions arise as to what can and should be displayed today, and in what way, who collected or acquired the objects, when, and by what means, and how they ultimately came to be at the University of Bonn.
chezweitz GmbH, museale und urbane Szenografie, Berlin
Dr. Sonja Beeck, Detlef Weitz with
Barbara Weinberger, Mo-Ran Kilian, Kira Soltani Schirazi, Sara Omassi, Nora Kersting, Ludger Jansen, Claudia Besuch, Leonie van Kempen
Barbara Weinberger, Mo-Ran Kilian, Kira Soltani Schirazi, Sara Omassi, Nora Kersting
Claudia Besuch, Ludger Jansen, Leonie van Kempen
Ludger Jansen
Prof. Dr. Dr. h.c. Michael Hoch
Monika Clemens, Sabine Ludolph
Prof. Dr. Ludwig Morenz
Prof. Dr. Harald Wolter-von dem Knesebeck
Jun.-Prof. Dr. Julia Binter
Alma Hannig
Dr. Andrea Grugel
Julia Burbach (Architect Renovation Poststraße 26)
Hr. Walden – Light/Lighting planning
Schnelle Bunte Bilder GbR (Media planning)
H2 Technik GmbH (Media technology)
Schreinerei Langner (Interior design)
Druckerei Thamm, Bonn
chezweitz
Volker Lannert