chezweitz museal and urban scenography

P26

P26 ­ Poststraße 26

A project of the University of Excellence Bonn

University of Excellence Bonn
Since October 19, 2024

Due to the clo­sure of the main build­ing, the Uni­ver­si­ty of Excel­lence Bonn is seiz­ing the oppor­tu­ni­ty to refor­mat its col­lec­tions and the asso­ci­at­ed teach­ing in some areas. The Paul Clemen Muse­um (art history/​Prof. Wolter von dem Kne­se­beck) with Europe’s largest col­lec­tion of plas­ter casts, the Egypt­ian Muse­um (Prof. Morenz) and the Glob­al Her­itage Lab (Prof. Bin­ter) with a focus on non-Euro­pean cul­ture will find their new inter­im quar­ters in Bonn city cen­ter, planned for around 10 years. Teach­ing, research, exhi­bi­tion prac­tice and pub­lic life will be linked togeth­er on the floors. On the ground floor, a live­ly space will be cre­at­ed for events, exhi­bi­tions, a café and an infor­ma­tion point where vis­i­tors and passers-by can find out about the uni­ver­si­ty and buy products.

chezweitz advised the uni­ver­si­ty con­cep­tu­al­ly on the devel­op­ment and trans­for­ma­tion of the for­mer wom­en’s fash­ion depart­ment store and designed the sceno­graph­ic installations.

With Post­strasse 26, the Uni­ver­si­ty of Bonn is extend­ing an invi­ta­tion to the pub­lic to come clos­er and delve deep­er into the themes of the exhi­bi­tions on the floors.

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A high­ly atmos­pher­ic but very dif­fer­en­ti­at­ed col­or scheme and graph­ic pro­cess­ing guides vis­i­tors through the floors. Each floor is a world of its own, its own research and learn­ing cos­mos. On the 1st floor, warm, earthy col­ors cre­ate a feel­ing of high ener­gy while at the same time being ground­ed. It is about ethno­graph­ic dis­cours­es, a flex­i­ble set­ting for the debate in the glob­al dis­course on how to pro­ceed in the future with a view to the post-colo­nial lega­cy and tra­di­tion­al exhi­bi­tion practices.

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On the 2nd floor, the Paul Clemen Muse­um brings togeth­er works of art from the Mid­dle Ages to the present day and from Cen­tral Ger­many to Sici­ly on a flat stage”. In a room set­ting in sand and Yves Klein blue, con­trast­ing with shiny alu­minum, the heavy plas­ter casts appear live­ly and fresh. They are avail­able for view­ing — for teach­ing and for pri­vate art enthusiasts.

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On the third floor, the Egypt­ian Muse­um, in a now sig­nif­i­cant­ly small­er space, opens up a space with a spe­cial atmos­phere, yet intense­ly mag­i­cal. Dec­o­rat­ed entire­ly in the green tones of the Nile, and fea­tur­ing a large num­ber of valu­able arti­facts, you’ll encounter the work of archae­ol­o­gists from the Uni­ver­si­ty of Bonn.

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For the inner city of Bonn, which, like many oth­ers in Ger­many, is strug­gling with struc­tur­al change, Post­strasse is an asset in terms of revi­tal­iza­tion. The cut­back caused by e‑commerce is too severe, so that oth­er pro­grams are need­ed in the inner city in addi­tion to retail. The uni­ver­si­ty and the city of Bonn are com­bin­ing the need to move into inter­im quar­ters in the most ele­gant way with the space resources that have become avail­able in the inner city. For chezweitz, as a well-known scenog­ra­phy office, it was a par­tic­u­lar chal­lenge to link the strate­gic dimen­sion (uni­ver­si­ty) with the urban plan­ning and archi­tec­tur­al dimen­sion (city center/​department store) and the sceno­graph­ic work with the col­lec­tions and teach­ing con­tent. We would like to thank the Uni­ver­si­ty of Bonn for its trust and hope that the courage to embrace hybrid­i­ty on Post­strasse will pay off in that stu­dents appre­ci­ate a stim­u­lat­ing learn­ing envi­ron­ment and vis­i­tors notice the inter­est­ing topics.

Object His­to­ries — Search­ing for Traces in the Muse­ums and Col­lec­tions of the Uni­ver­si­ty of Bonn

October 23, 2024, to March 31, 2025

The opening exhibition on the ground floor provides insights into the provenance research that the University of Bonn is dedicatedly conducting for its own collections. In this special exhibition, researchers explore the provenance of objects from the University of Bonn's museums and collections, exploring their provenance. These stories are often both bizarre and serious, some of which lead to contexts of injustice. The exhibition also addresses the sensitive handling of objects from colonial or otherwise problematic contexts. Questions arise as to what can and should be displayed today, and in what way, who collected or acquired the objects, when, and by what means, and how they ultimately came to be at the University of Bonn.

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Scenography and Interior Design
chezweitz GmbH, museale und urbane Szenografie, Berlin
Dr. Sonja Beeck, Detlef Weitz with
Barbara Weinberger, Mo-Ran Kilian, Kira Soltani Schirazi, Sara Omassi, Nora Kersting, Ludger Jansen, Claudia Besuch, Leonie van Kempen
Ausstellungsarchitektur
Barbara Weinberger, Mo-Ran Kilian, Kira Soltani Schirazi, Sara Omassi, Nora Kersting
Ausstellungsgrafik
Claudia Besuch, Ludger Jansen, Leonie van Kempen
Medienkonzeption
Ludger Jansen
Rector of the University of Bonn
Prof. Dr. Dr. h.c. Michael Hoch
Project management, Head of Department (University of Bonn)
Monika Clemens, Sabine Ludolph
Egyptian Museum of the University of Bonn
Prof. Dr. Ludwig Morenz
Kunsthistorisches Institut / Paul-Clemen-Museum
Prof. Dr. Harald Wolter-von dem Knesebeck
Global Heritage Lab
Jun.-Prof. Dr. Julia Binter
Collection of the University of Bonn
Alma Hannig
Info point
Dr. Andrea Grugel
Specialist planning
Julia Burbach (Architect Renovation Poststraße 26)
Hr. Walden – Light/Lighting planning
Schnelle Bunte Bilder GbR (Media planning)
H2 Technik GmbH (Media technology)
Schreinerei Langner (Interior design)
Druckerei Thamm, Bonn
Photos
chezweitz
Volker Lannert