chezweitz museal and urban scenography

"The executions must ..."

"The executions must be carried out discreetly in the nearest concentration camp"

Photos of the Soviet prisoners of war murdered in the Sachsenhausen concentration camp 75 years ago

Gedenkstätte Sachsenhausen, Oranienburg
From 6 November 2016 to 18 June 2017

The Ger­man war of anni­hi­la­tion in World War II also degrad­ed Sovi­et pris­on­ers of war. The peo­ple have to sleep on the floor with­out blan­kets, just as they arrived.” They were delib­er­ate­ly mur­dered, and many of them starved to death in the camps. The SS took pho­tographs of these pris­on­ers of war for pro­pa­gan­da pur­pos­es. Six­ty-nine of them were secured by sur­viv­ing pris­on­ers.
How do these tes­ti­monies of hor­ror demon­strate? chezweitz, togeth­er with the cura­tors of the Sach­sen­hausen Memo­r­i­al, decid­ed to print these oppres­sive images of unfath­omable bru­tal­i­ty on large gauze pan­els. In this way, vis­i­tors to the exhi­bi­tion encounter” the pris­on­ers of war at eye lev­el. The scenog­ra­phy is intend­ed to counter the dehu­man­iz­ing gaze of the moment with the dig­ni­ty of the new situation.

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The more often the vis­i­tor engages in dia­logue with the pho­tographed, the greater the ques­tion of why. For this pur­pose, slen­der exhi­bi­tion tables are placed orthog­o­nal­ly in the exhi­bi­tion space. As vis­i­tors explore the exhi­bi­tion, they also encounter the per­spec­tive of the per­pe­tra­tors. Pho­tographs, dia­grams, pro­to­cols, and camp maps print­ed on the tables explain the con­di­tions that made this unspeak­able hor­ror pos­si­ble. Why were the pris­on­ers sent to Sach­sen­hausen? What role did Nazi pro­pa­gan­da play?

As in a clas­sic exhi­bi­tion, the texts aren’t on the walls. The con­tent is read by lean­ing over the table. The hermeneu­tic claim recedes into the back­ground, and the scenog­ra­phy leaves the space sole­ly to the pho­tographed Sovi­et sol­diers, allow­ing their gazes to serve as a warning!

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Exhibition design
chezweitz GmbH, Berlin Dr. Sonja Beeck und Detlef Weitz
with Ines Linder, Lena Schmidt, Anna Horvath and Julia Volkmar
Project management
Prof. Dr. Günter Morsch, Sabine Sieg
Curator
Sabine Sieg
Project coordination
Jessica Willemsen, Agnes Ohm
Text editing
Prof. Dr. Günter Morsch, Dr. Horst Seferens
Exhibition construction
Metallbau Konrad Dölz
Digital printing
PPS. Imaging GmbH Dresden
Construction, Setup
Workshops of the Sachsenhausen Memorial and Museum
Sound production
Patricia Schon
Recording studio
Küss Mich Musik
Speaker
Frank Arnold (germ.), Ralph Gassmann (engl.), Gideon Sperling (russ.)
Image digitalization
Manuela Kirchhoff
Photos
Volker Kreidler